image001                                                UNC-CH and Duke Consortium in Latin American and Caribbean Studies

Video Collection/Outreach Office

                                                Contact Information: University of North Carolina at Chapel Hill

                                                3200 FedEx Global Education Center

                                                Phone: (919) 843-8888          Fax: (919) 962-0398

                                                Email: LA_films@unc.edu

 

 

ORIANA

(Oriana)

 

87 minutes

Directed by:  Fina Torres

 

Overview:

Based on a story by Marvel Moreno, Oriana is an exploration of memory, time, and desire initiated when Marie returns to the family hacienda where she spent time as an adolescent.  The secret past contained within the house emerges in fragments, little by little, revealing a family story that has been repressed for two generations.  The narrative, contained within the vision of Aunt Oriana via the flashbacks of Marie, constructs an intimate portrait of a woman’s desire, while at the same time alluding to the larger portrait, as it were, of the country’s violent past.

 

Strengths and Weaknesses: 

The film is extremely engaging, with beautiful photography, excellent acting, and a great script.  One evaluator felt that even the brief nudity was discreet enough that high school students could view the film.

The numerous flashbacks might be confusing.

 

Introducing the Tape: 

It would be useful to have a historical background of Venezuela from 1905 to 1935, in comparison with 1985, the year of the film’s production, as well as information about Marvel Moreno, the author of the book upon which the film is based.  Viewers could also be told: In 1985, Fina Torres won the Camera d’Or at the Cannes Film Festival with Oriana, making her and Margot Benacerraf the only Venezuelans to receive awards at this festival.  For such a slow-paced, intimate story, Oriana (a French coproduction) was unusually successful in Venezuela.  One reason may be that its stylish images and soundtrack were technically equal to those of any European or U.S. production; until then such standards had only been reached in ‘foreign’ films.

 

How to Borrow this Video:

The videos owned by the UNC-Duke Consortium in Latin American and Caribbean Studies are housed in the Outreach Office of the University of North Carolina at Chapel Hill.  They are lent free of charge.  For information on films and reservations, please visit http://isa.unc.edu/film/films_main.asp.

 

References:

Ranucci, Karen, ed.  A Guide to Latin American, Caribbean, and U.S. Latino-Made Film and Video.  Lanham, MD.  Scarecrow Press.  1998.